Paisagens Interrompidas
Paisagens Interrompidas
Fotografia
Photography
O fotográfico de Giovanna Nucci leva o observador para novas percepções do que conhece como paisagem e natureza.
Em Paisagens interrompidas, a artista capta algumas de suas principais imagens iniciais nas cataratas de um parque nacional.
The artist employs traditional photography alongside contemporary post-production techniques to examine landscape. Her practice extends beyond framed photographs into installation, three-dimensional work, painting, and book forms.
Nucci begins with waterfall photography, then extensively processes these images in her studio through editing, sectioning, amplification, coloring, and other procedures aligned with her artistic vision.
The work engages with Brazilian landscape traditions found in historical travel artists like Frans Post and Thomas Ender, while echoing European Romantic sensibilities present in works such as the Conde de Clarac's forest compositions.
As torrentes e os fluxos aparentemente sem controle no 'ao vivo', se apresentam aqui dentro de um cubo branco em escalas, posições, focos e sensações mais quietas.
The installation navigates relationships between natural and constructed elements, explicit and lacunary aspects, noise and silence, sublime and terrestrial dimensions. Her approach aligns with contemporary landscape interrogations by artists including Wolfgang Tillmans and Timm Ulrichs.
— Mario Gioia, maio de 2016
O fotográfico de Giovanna Nucci leva o observador para novas percepções do que conhece como paisagem e natureza.
Em Paisagens interrompidas, a artista capta algumas de suas principais imagens iniciais nas cataratas de um parque nacional.
The artist employs traditional photography alongside contemporary post-production techniques to examine landscape. Her practice extends beyond framed photographs into installation, three-dimensional work, painting, and book forms.
Nucci begins with waterfall photography, then extensively processes these images in her studio through editing, sectioning, amplification, coloring, and other procedures aligned with her artistic vision.
The work engages with Brazilian landscape traditions found in historical travel artists like Frans Post and Thomas Ender, while echoing European Romantic sensibilities present in works such as the Conde de Clarac's forest compositions.
As torrentes e os fluxos aparentemente sem controle no 'ao vivo', se apresentam aqui dentro de um cubo branco em escalas, posições, focos e sensações mais quietas.
The installation navigates relationships between natural and constructed elements, explicit and lacunary aspects, noise and silence, sublime and terrestrial dimensions. Her approach aligns with contemporary landscape interrogations by artists including Wolfgang Tillmans and Timm Ulrichs.
— Mario Gioia, maio de 2016